A reminder that if you want to come to the Networking Event at MMU on Thursday 7th Feb that has input of guests from Italy and Turkey and a focus on the arts in relation to recovery, you have to register at firstname.lastname@example.org and details of the venue and other information, will be sent early next week.
- Voluntary carers
- People with disabilities
- Homeless people
- Older people
(in co-operation with Mersey Care NHS Trust)
To Photograph the Details of a Dark Horse in Low Light
The Goodman Gallery in Johannesburg is presenting two new related bodies of work by Adam Broomberg and Oliver Chanarin. The following text is taken from the gallery website. In 1970, Caroline Hunter, a young chemist working for the Polaroid Corporation, stumbled upon evidence that her multinational employees were indirectly supporting apartheid. With the collusion of local distributors Frank & Hirsch, Polaroid was able to provide the ID-2 camera system to the South African state, to efficiently produce images for the infamous passbooks. The camera included a boost button designed to increase the flash when photographing subjects with dark skin. Alongside her partner Ken Williams they formed the Polaroid Workers Revolutionary Movement, and campaigned for a boycott. By 1977, Polaroid finally did withdraw from South Africa, and the international divestment movement – which eventually crippled apartheid – was on its way. The radical notion that prejudice might be inherent in the medium of photography itself is interrogated by the artists Broomberg and Chanarin in this presentation of new works produced on salvaged polaroid ID-2 systems.